The Kronos Sound Libraries are volumes of additional sounds created specifically for the next-generation Kronos Music Workstation to enhance KRONOS' performance.

There are two types of Libraries:
EXs Expansion Sample Series: Expansion libraries containing PCM Samples, Program, and Drumkit data.

KRS Professional Sound Series: Libraries for assisting sound design and song production, containing Program, Combination, and Song data.
*Contents may differ between libraries. For details, refer to the lineup details below.

 

Kronos

MUSIC WORKSTATION

The Game is Still Changing!

Announcing New Sound Libraries for the Kronos Music Station, plus Kronos Music Workstation System Version 1.5.

Prepare to be Amazed

For nearly half a century, Korg has set the standard for technical innovation, leadership, and superior sound. Korg has created entire categories of musical products, and has produced some of the top-selling synthesizers and keyboard instruments ever; the instruments favored by musicians around the globe. In 1988, Korg defined the workstation category with the revolutionary M1. Today, in 2011, Korg redefines and reimagines the music workstation, revolutionizing the capabilities of the hardware instrument and exceeding the demands of the modern player: introducing the Kronos Music Workstation.

 

 

Kronos Highlights

• 9 Sound engines, each offering a unique sound-creation technology (see list below)
• 16-part Combis allow all engines to function together in perfect harmony; Dynamic Voice Allocation keeps the polyphony high.
• Available with 61, 73 or 88 keys. The 73 and 88 key models feature Korg’s finest RH3 Graded Hammer Action. The 61 key model borrows the responsive synth action from the Korg M3-61.
• Comprehensive interface, based around a new large 8” TFT TouchView™ display
• Virtual Memory Technology (VMT), aided by a fast SSD (Solid State Disk) provides high polyphony and massive, ultra-long, and unlooped samples; offering unheard of performance from a hardware instrument
• Smooth Sound Transition: this often-requested feature allows held or sustained notes to keep sounding when changing sounds or modes.
• Set List mode: Organize the Programs, Combis, and Songs you need to perform your set in a single, easy-to-select screen – including performance notes!
• Use up to 16 premium-quality effects at once; individual effects rival dedicated units
  • 12 Insert effects
  • 2 Master effects
  • 2 Total effects
• On-board sequencer offers 16 MIDI tracks + 16 audio tracks (24-bit, 48kHz recording quality)
• Open Sampling System – Instant sampling and resampling from any mode: Program, Combination or Sequencer.
• Sophisticated KARMA® technology generates infinitely variable performance-driven phrases, musical effects, and backing tracks to catalyze your creativity
• Expanded Drum Track for play-along grooves and inspiration
• Signature sounds created with guidance from world class musicians

The Game Has Been Changed
Kronos is more than a new instrument. It is a milestone in synthesis and workstation evolution; one that embodies fresh ideas and breakthrough technologies. Kronos brings together multiple sound engines working in harmony and new interactive performance features that reflect the way musicians play. Most importantly, Kronos provides a seemingly inexhaustible supply of breathtaking, spectacular sounds. Prepare to be amazed.

Nine Engines; a Universe of Sound
Kronos unites nine individual synthesis engines in a single instrument, each providing the finest sound creation techniques available. Together, they represent not only the rich legacy of Korg, but the history of the electronic keyboard industry itself. Dig into the classic sounds of timeless instruments that are still loved to this day. Enjoy unique sounds that once startled the world. Venture into new sonic territory with sounds that have become possible now.

 

[System]

System: Kronos

Keyboard:
88-key: RH3 (Real Weighted Hammer Action 3)
73-key: RH3 (Real Weighted Hammer Action 3)
61-key: Natural Touch Semi Weighted
[Tone Generator]

Synthesis Types: 9
SGX-1 Premium Piano (Acoustic Piano)
EP-1 MDS Electric Piano (Electric Piano)
HD-1 High Definition Synthesizer (PCM Virtual Memory Technology)
AL-1 Analog Synthesizer (Analog Modeling)
CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
STR-1 Plucked String (Physical Modeling)
MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX (CMT Analog Modeling)
PolysixEX (CMT Analog Modeling)

Maximum Polyphony*1*2:
SGX-1: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices

*A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*2 In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)

Number of Programs/Combinations/Drumkits:
1,664 user memory programs
(1,536 [768 HD-1+768 EXi] come preloaded)

1,792 user memory combinations
(480 come preloaded)

152 user memory drumkits
(78 come preloaded)

256 GM Level2 preset programs+ 9 GM Level2 drum preset programs

Preset PCM:
314 MB (ROM 1,505 multisamples, 1388 drum samples)

Build-in Expansion PCM Libraries:
EXs1 - ROM Expansion

EXs2 - Concert Grand Piano

EXs3 - Brass & Woodwinds

EXs4 - Vintage Keyboards

EXs5 - ROM Expansion 2

EXs6 - SGX-1 German D Piano

EXs7 - SGX-1 Japanese C Piano

EXs8 - Rock Ambience Drums

EXs9 – Jazz Ambience Drums

Capacity of PCM RAM:
Approx. 1GB*4

*4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 148MB is available when shipped from the factory (when loading the file named “PRELOAD.KSC”).

Wave Sequences:
374 user memory, 165
[SGX-1 Program]

Premium Piano:

PCM:
EXs6 - SGX-1 German D Piano; EXs7 - SGX-1 Japanese C Piano
Piano Type:
32
Oscillator Control:
Damper Resonance, Damper Noise, Mechanical Noise, Note Release

[EP-1 Program]

MDS Electric Piano:

Electric Piano Model Types: 6
Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control:
Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
Panel Control:
Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

*5 Each electric piano type has own amp/cabinet character.

Effect Types: 9
Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage
Flanger, Red Comp, VOX Wah
[HD-1 Program]

Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure:
Single: only OSC1, Double: OSC1 and OSC2.

Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.

Two completely separate drumkits.

Oscillators:
VMT (Virtual Memory Technology) supported.

8 velocity zones per oscillator, with switching, crossfades and layering

Each zone can play mono or stereo Multisamples or Wave Sequences

Filters:
Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),

Four-mode filter routings (single, serial, parallel and 24dB mode)

Driver:
Per voice non-linear driver and low boost circuit

EQ:
Three bands, with sweepable mid

Modulation:
Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

[EXi Program Common]

Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Modulation:
Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO,

2 Key Tracking Generators

EQ:
Three bands, with sweep-able mid

[AL-1 Program]

Oscillators:
OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

Audio Input:
Run real-time audio through the synthesis engine

Filters:
Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver:
Per-voice non-linear driver and low boost circuit

Modulation:
Five Envelope generators, four per-voice LFOs, two AMS Mixers;

Per-voice Step Sequencer.

[CX-3 Program]

Tonewheel Organ Modeling:
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode:
Four additional, user-specified drawbars, and expanded percussion.

Internal Effects:
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control:
Controlled via nine front-panel sliders (via Tone Adjust)

Split:
Upper, Lower (even in EX mode)

Modulation:
Two AMS mixers

[STR-1 Program]
Physically Modeled String:
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more

String Excitation:
Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter

PCM Oscillator:
Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can either be used as an excitation signal, or layered with the output of the string.

Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

Audio Input and Feedback:
Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

Filters:
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject modes

Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Modulation:
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

[MOD-7 Program]

Waveshaping VPM Synthesizer:
Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

Oscillators:

6 VPM/Waveshaper/Ring Modulation Oscillators:

Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals.

PCM Oscillator:

Korg’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter.

Audio input:
Run real-time audio through the VPM Oscillators and filters.

Filters:
Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes

Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel:
Supports both algorithm (78 types) selection and free patching; Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation:
10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

[MS-20EX Program]

Oscillators:
Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input:
Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters:
12dB/octave High Pass and Low Pass self-resonant filters

ESP section:
24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel:
Patchable audio and modulation, at audio rates

Patch Points:
Keyboard:
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

VCO:
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

VCF:
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

VCO+VCF:
Total External Modulation In

VCA:
External Initial Gain Control In, VCA In

EG:
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

MG:
Triangle Out, Rectangle Out

Noise Generator:
Pink Noise Out, White Noise Out

Sample and Hold:
Clock Trigger In, Sample Signal In, S/H Out

Modulation VCA:
Control Voltage In, Signal In, Signal Out

Manual Controller:
Control Wheel Out, Momentary Switch

ESP:
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

Others:
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor):
Use incoming audio as a trigger and/or CV source.

Modulation:
Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers

[PolysixEX Program]

Oscillators:
VCO:
Saw, Pulse, PWM

Sub Oscillator:
Off, 1 octave below, 2 octaves below

Filter:
24dB/octave Low Pass self-resonant filter

Effects:
Integrated Polysix Chorus, Phase, and Ensemble

Arpeggiator:
Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation:
Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers

[Combination]

Number of Timbres:
16 Maximum

Master Keyboard Functionality:
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices

Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

[Drumkit]

System:
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

[Sampling]

System:
Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency:
RAM: 16-bit/48 kHz stereo/mono sampling

DISK: 16 or 24-bit/48 kHz stereo/mono sampling

Sampling Time:
RAM: Depends on the amount of availale PCM RAM

DISK: Maximum 80 minutes stereo (879 MB: 16-Bit)

Sample Locations:
4,000 samples/1,000 multisamples (128 indexes per multisample)

Ripping:
Direct sampling (ripping) from audio CD (CD-DA)

Formats:
Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing:
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

[Effects]

Insert Effects: 12
Stereo in / stereo out

Master Effects: 2
Stereo in / stereo out

Total Effects: 2
Stereo in / stereo out

Timbre EQ:
High, low, and mid band

Effect Types: 185

Modulation:
Dynamic Modulation and Common LFO

Effects Control Busses:
Two stereo side chains

Effect Presets: 783
Maximum 32 per 1 effect (Preset User)

[KARMA]

KARMA Modules:
One module in Program mode, four modules in Combination and Sequencer modes

Generated Effects (GE):
2,048 presets, 1,536 Users (96 come Preload)

Controllers:
On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

[Drum Track]

Drum Track Patterns:
697 preset (common with the preset patterns of the MIDI sequencer)

[Sequencer/HDR]

Tracks:
16-track MIDI sequencer + 16-track hard disk recorder + master track.

Number of Songs:
200 songs

Resolution:
1/480

Tempo:
40.00 – 300.00 (1/100 BPM resolution)

Maximum memory:
400,000 MIDI events
or 300,000 audio events

MIDI Tracks:
16 tracks plus the master track
697 preset/100 user patterns (per song)
18 preset/16 user template songs,

Format:
Korg (Kronos, OASYS) format, SMF formats 0 and 1.

Audio Tracks:
16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit. Maximum single-file recording time

(mono):
80 minutes

Automation:
Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust

RPPR (Realtime Pattern Play and Record):
1 Pattern set per song.

[General]

Disk Mode:
Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. *6

*6 Need to use with External USB CD Drive, etc.

Controllers:
Vector joystick, joystick, ribbon controller, switches 1 & 2

Control Surface:
Control Assign Switches:
Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, or Tone Adjust.

Mixer Knobs Switch:
Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider

KARMA Control:
On/Off, Latch, Chord Assign, module Control

Display:
TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable brightness

Outputs:
L/MONO, R:
1/4” Balanced; 170 ohms Stereo; 85 ohms Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

Individual 1-4:
1/4” Balanced; 170 ohms Stereo; 85 ohms Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

Headphones:
1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when load impedance is 33 ohms),

S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)

USB-B:
24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
Inputs:
Audio Inputs 1 and 2:
1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range: 95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)

S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz

USB-B:
24-bit, 48 kHz, 2 channels

Control Inputs:
Damper pedal (half damper supported), assignable switch, assignable pedal

MIDI:
In, Out, Thru

USB:
USB A (TYPE A) x 2 (for connection to external USB devices)

USB B (TYPE B) x 1 (MIDI/audio interface, MIDI: 1(16ch) input / 1(16ch) output, Audio: 2 channel input / 2 channel output)

2 USB high-speed ports (supports 480Mbps)
Principal Specifications:

Frequency Response:
20Hz-22kHz, +/-1.0 dB, 10k Ohms load

THD+N:
20Hz-22kHz, 0.01%, 10k Ohms load (typical)

S/N:
95 dB (typical)

Dynamic Range:
95 dB (typical)

Crosstalk:
95 dB, at 1 kHz (typical)
Disk Drives:
30 GB SSD (2.5”)

Power Consumption:
60 W

Dimensions: (W x D x H)
88-key: 57.28” x 16.18” x 5.71”
1,455 x 411 x 145 mm

73-key: 48.94” x 16.18” x 5.71”
1,243 x 411 x 145 mm

61-key: 41.42” x 14.25” x 5.28”
1,052 x 362 x 134 mm

Weight:
88-key: 50.71 lbs. / 23.0 kg

73-key: 44.75 lbs. / 20.3 kg

61-key: 27.56 lbs. / 12.5 kg

Accessories:
AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver, Manual PDF, etc.)
[Option]
XVP-10: Expression/Volume Pedal

EXP-2: Foot Controller

DS-1H: Damper Pedal

PS-1: Pedal Switch

PS-3: Pedal Switch
*Developed under license of physical modeling patents (listed in www.sondiusxg.com) owned by Stanford University, USA, and by Yamaha Corporation.

*Appearance and specifications of this product are subject to change without notice.